Live! Go for What You Know Songs
Live! Go for What You Know
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A4 Boom Boom (Out Goes the Calorie-free) v:05
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B3 Oestrus in the Street 4:25
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B4 Makes No Divergence 7:04
- Total length: 42:22
Catalog
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Quite accurate alive versions of generally LP cuts. the audio is comm hard rock with some funk moves and prog influences. Yeah, I can agree with some of the complaints about the over-product cutting the balls off this, but it all the same sounds pretty damned good. Grades - ii B+'s, 3 B'due south, 1 B-, and 2 C+'s. Recorded Feb, 1979.
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Live Pat Travers! This is 41 minutes of guitar driven, glorious, hard, Damn it, I hate information technology when some corporate asshole decides what part of a concert we should hear. The advent of cds, has dimmed that somewhat. RIP Peter "Mars" Cowling
blues rock taken from four unlike concerts in 1979. I am betting the concerts were anywhere from 75-90 minutes long, so what is missing?
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1 of the best live albums of the Seventies. This is an first-class album that never lets become. My only complaint it wasn't a double LP.
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La meilleure mouture de quelques excellents albums studio ne peut donner qu'un first-class live (c'est du moins le cas ici). C'est d'autant plus vrai dans un groupe où chacun va dans le même sens. De la fusion avant la fusion, Pat Travers, Tommy Aldridge, Mars Cowling et Pat Thrall sont alors au sommet, ça chauffe, ça brûle, il y a le feu!!!
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Album de mi juventud . Lleno de energia , guitarras avasalladoras y Bluesrock a todo trance. Gran Directo!
Su "Boom Blast (Out got the lights)" es Fantastico , especialmente por la perfecta colaboracion del publico en los coros y el hecho de que la dupleta Travers / Thrall se mete a todos en el bolsillo.
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Released right in the middle of his prime tardily seventy'southward/early 80'south run, Alive! Go for What Y'all Know captures Travers and his ring'due south hard, funky, bluesy rock effectively and concisely, with cloth from his earliest releases like "Hooked on Music" and the audience participation boogie-rocker "Nail Boom (Out Become the Lights)" turned into rousing stage anthems, and highlights triumphs from Putting It Straight and Heat in the Street with the likes of "Gettin' Betta" and "Become All Dark." Without falling into the bloated trappings of lxx's live albums, this 1 places the focus on the Travers ring's locked in coaction and achieved musicianship, and is a good entry point to the guitarists discography.
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Very good live blues rock album. The band is very proficient and energetic. The album makes me feel similar I'm in a local bar watching some dandy ring that hasn't been discovered. It just has that bar band vibe, and I dig that. Pat Travers is a not bad guitar player and the riffs and solos audio excellent. Musically, the ring is a very tight unit and everything everyone plays meshes with and complements with what the other band members are playing perfectly. The songs and vocals are good, simply not great. This is an album you listen to for the playing and the vibe, not for great songs and vocals.
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Just occasionally a band waits as well long before recording a live album and manages then to impale the album by producing out the raw dynamic that made them special. Such is the case with Pat. This is non a bad anthology but I defy anyone to compare it to the Rockpalast DVD or the Sight and Sound in concert recorded a couple of years earlier where there was a fire in the band and Pat in item and view this as superior to that 3 slice. The track listing bar "Boom Boom" is exemplary, just a shame that the raw intensity is so lacking.
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